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Theatre Now Review: Stupid Fucking Bird

How much Chekhov is used and recycled by writers and theatre companies? Only marginally less than Shakespeare would be my guess until one mutters...
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Jack Gow Talks to Theatre Now About Harolds’ Hoo Haa

Tell us about Harold’s Hoo-Haa, and how you became involved. Loredana, the Producer at New Ghosts Theatre Company, and I go way back – we’ve known...
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Theatre Now Review: Permission To Spin

Mary Rachel Brown’s latest play Permission To Spin deals with the machinations within the children’s music industry at a high profile agency headed by...
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Theatre Now Review: The Acacia Quartet: 4 + Viola!

How about Sunday afternoon tea with Mozart and Dvorak? Take your fancy? It should. Mozart is your first treat – the String Quartet in...
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Theatre Now Review: The Girl The Woman

The Girl The Woman: a reality of growing up Aussie The struggle to find our unique Australian voice is moving like a wave throughout the...
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Theatre Now Review: Roomba Nation

One of the challenges of modern medicine is how to retain what we used to call the art of medicine—how patients are treated individually,...
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Theatre Now Review: The Rolling Stone

There are many stories which have come out of Africa but for westerners, they have been of the white perspective. Outhouse Theatre Co throws...
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Theatre Now Review: The Curious Incident of the Dog in the Night-Time

The 2003 novel, The Curious Incident of the Dog in the Night-Time by Mark Haddon follows 15 year old Christopher John Francis Boone's determined investigations of...
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Theatre Now Review: Unqualified

Unqualified is a riotously comic tour-de-force written and performed by Genevieve Hegney and Catherine Moore. An absurd chance meeting at Centrelink brings together the...
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Theatre Now Review: Above Ground

An Inanimate Distraction: Above Ground  Something climbed out of the primordial swamp, writhing, rolling, undulating across the floor. Choreographer and Performer Kathryn Puie explains that...
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On The Screen Reviews: You Were Never Really Here

Jonathan Ames and Lynne Ramsay on any credit list guarantee a dynamic duo of narrative storytelling. One is a prolific crime-fiction author-cum-exhibitionist, and the...
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On The Screen Review: Touch Me Not [Sydney Film Festival]

Adina Pintilie’s first feature gained attention this year after leaving Berlinale with the coveted Golden Bear. Despite many eyes on it. Touch Me Not...
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On The Screen Review: Straight Line Crazy

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"What does have impact is the power acting on...
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