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2020 Adelaide Writers’ Week announces first round of authors and programs

Press Release: On The Page In 2020, Adelaide Writers’ Week the second from Director Jo Dyer, contemplates one of the few things that incontrovertibly unites us...

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Theatre Now Review: Mea Culpa

Veronica's Score: 3 /5 Stars Mea Culpa - a Latin phrase that’s fun to know the meaning of and say even – and here, the...

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On The Screen: The Rise of Jordan Peterson

Con's Score: 2.5 /5 Clean bedrooms I’ve always thought we should expose ourselves to ideas we may not agree with, and listen to the other...

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Theatre Now Sydney Review: Much Ado About Nothing

Felicity's Score: 2.5/5 Weddings Benedick and Beatrice seem to be able to do naught in each others’ presence bar pick at the other, which, despite...

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On The Screen Review: Blinded By The Light

“When you listen to Bruce’s music, you are no longer a loser. You’re a character in an epic poem… about losers.” – John Stewart. Rylan's...

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On The Screen Review: Pavarotti

Con's Score: 3.5 /5 High Cs That voice. That name. (You know you’re an icon when spell check can finish typing it for you.) The...

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Theatre Now Review: Billy Elliot

Oliver's Score: 5 Stars There are very few shows which one might be able to call, perfect. Last night’s performance of “Billy Elliot” is is...

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Theatre Now Sydney Review: Wit

Felicity's Score: 4/5 IV drips Dr. Vivian Bearing has lived a life of academic esteem; valuing erudite excellence of kindness until her world is shaken...

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Theatre Now Sydney Review: Fully Committed

Felicity's Score: 4.5/5 Flashing phone lines Beyond the high-end intrigue of a hip restaurant in Woolloomooloo, past their mysterious and ever-changing menu inspired by molecular...

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