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Theatre Now Review: No End Of Blame

The play begins at 8.9 on the dramatic Richter Scale. It’s the dying days of WW1 and it’s all unravelling for the Axis Powers....
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Theatre Now Review: The Kitchen Sink

Failure comes in many forms and we all deal with it in different ways, we run from it, we fight it or we lash...
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Theatre Now Review: Comedy For UGLY

Adelaide Thursday the 12th of October some of the biggest names in South Australian comedy got together for an intimate comedy night fundraising for the...
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Theatre Now Review: Miracle City

It is the live taping of the Truswells' evangelical TV show, we enter the space as they are preparing for the show and five,...
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Theatre Now Review: Monopoly

Seated around a monopoly board, a group of millennials begin to discuss the Sydney property scene, their own finances, relationships and the inequality of...
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Theatre Now Review: Buyer and Cellar [Ensemble]

Alex More (Ben Gerrard) has just been fired from Disneyland and this out-of-work actor needs a job. Then the most amazing offer lands in...
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Theatre Now Review: Birdland

A sloping, jagged edged floor is the sole set piece, evoking both the sense of a disintegrating stage and a raft adrift on a...
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Theatre Now Review: The Natural Conservatorium for Wise Women

We persevere only in the knowledge that our virtuous garden is being tended, cared for and cultivated. Clockfire Theatre’s newly devised work, The National Conservatorium...
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Peter Maple interviews Damien Ryan… Once more unto the breach, dear friends…

by Peter Maple Storytelling should be vital – should be potent – should be in the immediate. No…? That is something I personally believe and feel....
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Garreth Cruikshank chats with Chris Miller about Gloveman

On the eve of the opening night of the new play at the Blood Moon Theatre,"The Gloveman", written by C.J. Naylor, and directed by Michael...
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