“Slipstream is not a clear narrative, it doesn’t follow a clear structure or any apparent rules, but it’s a clear celebration of otherness.” – Felicity Anderson
2.5 / 5 crates
Naughty Noodle Fun Haus presents a challenging smorgasbord of no-holds barred personality and messaging. An opening remark “enjoy the trip” accurately warns the audience of the artistic mood that is to follow.
It’s always a challenge to review experimental theatre – something that completely disregards any rules and norms breaks away from any usual measures of success. It feels vicariously freeing to watch these three performers embrace hidden truths of their lives and selves. Although it must be noted, that these things are only mystery to the audience, as performers grace up with a view that they’ve known intimately all along.
Neville Williams Boney presents a physical manifestation of lineage and connection, blending physical theatre and storytelling. It feels rough, but raw – and in that there is a distinct charm.
Miss Tree presents a few musical numbers, in which her thoughtful deliverance of prose brings out the poetry from the music. Her strength lies in her clear confidence on stage, her attitude is felt through the camera and is a delight to watch.
Glitta Supernova takes the most advantage of all aspects of theatrical possibility. Sound, lighting, costume, prop, and storytelling all live together in harmony in the surprising act.
The sound production proves distracting in the digital production, with vocal volume requiring manual control from home. Additionally, the props in Boney’s set create distracting noise, meaning he must work extra hard to engage us.
Slipstream is not a clear narrative, it doesn’t follow a clear structure or any apparent rules, but it’s a clear celebration of otherness. For something different, Slipstream appears at Melbourne Fringe digital until November 22.
